Dream Works: The Immigration Lawyer

The tie-wearing, court-going, corporate lawyer career path pictured in TV shows like “Suits” is one that feels familiar, so I wanted to learn more about the journey to becoming a social justice lawyer, or what Monika Batra Kashyap referred to as a “rebellious lawyer.”

So, in continuing with our venture to find a ‘dream’ career, this week I met with Monika Batra Kashyap, immigration lawyer and visiting clinical professor at Seattle University School of Law, to learn more about her career path.

Batra Kashyap didn’t always know that she wanted to be a lawyer, let alone an immigration lawyer, but she wanted a large aspect of her job to be helping people. Her career path in many ways started before she was born as a part of her personal history — her parents are immigrants — and took a more concrete form during Batra Kashyap’s undergrad experiences in New York City.

“It has been so rewarding to do immigrant justice work. It taps into my politics. It taps into my lived experience, my ancestors, my relationship to this country, to history,” Batra Kashyap said.  

In starting her college process, Batra Kashyap explained, “I didn’t know anything about lawyering beyond corporate lawyering, so [social justice law] was not on my radar at all.” After deciding she did not want to pursue a foreign service major at Georgetown, Batra Kashyap moved to New York and majored in Middle Eastern and South Asian languages at Columbia University, where she studied Hindi.

 “So I ended up going to Columbia, because when I visited there I felt the pulse of immigrants everywhere,” she described.

In her journey to immigration law, Batra Kashyap was searching for where she felt like she belonged.

“The way I actually came up into social justice law was through finding my affinity group,” she said.

When Batra Kashyap arrived at Columbia, she tried out various clubs that in some way aligned with her values (a feminist group — which was mostly white women — and a rape crisis counseling group), before finding her fit: a South Asian domestic violence support organization.

She said she remembered thinking, “We’re feminists and we’re South Asian, and some of you speak the same language I speak. We look the same with the same color skin. Wow, this is what affinity feels like.”

While volunteering as a sophomore in college, she was exposed to social justice lawyers and befriended lawyers who worked at The Legal Aid Society in New York. “I remember meeting them and they had sneakers and jeans. I was like, you can look like this and talk like this and act like this and be a lawyer? How does that work?” Batra Kashyap said.

Batra Kashyap worked as an interpreter as a go-between for lawyers and survivors before interning at TheLegal Aid Society in Brooklyn.

It was during this time that she realized this was what she wanted to do, and what would make her happy. In addition to her own happiness, Batra Kashyap explained how “it was a path and for my immigrant parents, it signified success.”

Before going to law school, Batra Kashyap worked as a paralegal for two years: first in public benefits and then in immigration law. While her parents were slightly alarmed at her choice to delay law school, Batra Kashyap knew this exploration was something she needed to do.

Reflecting, she said, “I [wanted] to figure out more what kind of lawyer I want to be … So then I did and then I was in the immigration law unit as a paralegal for a year, and I loved it.”

After graduating from the U.C. Berkeley School of Law Batra Kashyap went directly into immigration law work and has been doing it ever since. When she moved back to Seattle, her hometown, Batra Kashyap worked briefly and rigorously for a for-profit removal defense firm. The firm worked to defend people who were “deemed to be deportable by the government.” Unlike in the criminal justice system, there is no system of public attorneys for immigrants facing deportation.

Batra Kashyap explained that “in the criminal justice system there is a right to an attorney when your liberty is at stake, but in the immigration legal system, there isn’t that same parity.”

This work took place through trials but often not in the type of courtroom we immediately picture.

Batra Kashyap said, “If it wasn’t in a court in Seattle, it was in a court that is located inside a detention center. … I would have to meet clients … in rooms with no windows and no air. Even the courtroom, no windows, no air, just locked with guards standing at the doors.” 

For these two years, Batra Kashyap worked tirelessly, commuting back and forth from the detention centers and working nights and weekends.

For her, some of the most challenging aspects of being an immigration lawyer are when cases don’t work out and she feels trapped within a broken system.

“I love it when I am able to give people the good parts of the system, but when I have to give the bad parts of the system, that’s when it feels like I’m part of the system that is saying no, and it does that probably 90% of the time,” she said.  

In the next, but not final, chapter of Batra Kashyap's career, she worked as a clinical professor for 12 years. In this position, instead of having 100 clients at once, she had four clients at a time. Batra Kashyap described being a clinical professor like running a residency program: She was the head surgeon and her group of third year law students, the residents. Under her guidance, they worked together for their clients.

Just like the removal defense firm, working for an academic institution had its values and vices. She said that being a professor “fed other parts of me, like the teaching part and the mentorship part … but I will say that it was definitely not the most exciting of my jobs in terms of the lawyering, and I will also say that it was probably the most oppressive place to work … a huge academic institution and how hierarchical they are and how much systemic racism there is built into [the institution] … versus a nonprofit.”

So what does it mean, and what does it take to be a rebellious lawyer, I wondered. The concept of the rebel lawyer was created by professor Gerald López at the UCLA School of Law. Batra Kashyap thinks about it in the broadest sense of the word. It’s a kind of lawyer that tries to fight against the status quo and thinks of clients as partners in that fight.

“To be a rebellious lawyer, as an immigration lawyer, is to recognize how the system is a failed system, or how it is harmful … but the most important thing is how you treat your clients,” Batra Kashyap said.

Instead of thinking in terms like “I am helping my clients,” Batra Kashyap asks us to think, instead, about how clients help lawyers fix a broken system.

“‘Rebellious lawyering to me is even rebelling against the concept, the traditional model of lawyering, that believes that lawyers are on top,” Batra Kashyap said. “When your client says thank you to you, which they will always do … really you should be saying thank you to them for trusting you while engaging in such an untrustworthy system, in trying to make the system better. And showing you how the system works because without their engagement we wouldn’t be able to see how unjust the system is.”

Batra Kashyap said, “It’s so rare in college for there to be exposure to this type of non-traditional lawyering. …  If I had known about it, I would have saved a lot of time.”

Batra Kashyap described an experience she recently had with a client to me. “The most rewarding part of being an immigration lawyer is when you’re able to help transform someone’s life from a life of no safety to a life of safety,” she said. “And, if you are lucky, you get to see that happen in your lifetime because sometimes these cases take so long.”

A few weeks ago, she had one of these moments. “I got a text from a client I helped in 2016 apply for asylum,” she said. “And now, almost eight years later, she just had a daughter, got married. … I got to see such an evolution because I knew what it took for her to get from the incredibly traumatized place that she was [in] when we applied for asylum, which was just a few months after she came from The Gambia.”

“I got to see the picture of the baby and the minute I saw that, I cried,” she continued. “That makes me really happy because I know that those pieces of paper, and there were a lot of them, all those pieces of paper that we put together, all the advocacy, it really changed her life.”

When I asked Batra Kashyap for this interview, she told me that she is currently in a moment of transition, deciding where she wants to take her immigration law career next. I thought this was all for the better. I’m learning that finding our passions may happen in a moment, in an internship or in a volunteer experience, and that even after it all clicks into place, the journey continues. I am excited to see where and who Batra Kashyap fights for next, and I thank her for sharing her journey with us.

Wishing you luck in all your dream-catching endeavors, especially the rebellious ones.

Dream Works: The Producer

The sleeping voyages to weird places and with stranger people, the daytime rambles that are only slightly more rational: I’ve always been good at dreaming. To my chagrin, but not surprise, I was recently informed that my biggest red flag is that my head is often off somewhere in the clouds. Yet, despite all this dreaming, in college I find myself a tad bit lost: How do people discover their dream jobs? In this column, I endeavor to not only stumble upon my future career, but maybe yours too…

In honor of the recent screening of All Static & Noise here at Tufts, today we will meet David Novack, producer and sound engineer, of this new, exposing documentary. The film is a collection of testimonies from family members of Uyghurs who have been detained and survivors of Chinese “re-education camps.” Their stories bring attention to the “mass brutality of state-sponsored oppression in Western China,” of the Uyghur population. 

How Novack found himself in the position to help build an international platform for Uyghurs to share their stories began back in 1982 at UPenn. He was studying engineering, singing with choirs, and performing in “music pits,” when he met his wife Nancy, film editor on the documentary, and back then, a film major. After a quick stint in the pharmaceutical industry, Novack immediately sought out a different career path: one that would stimulate the “music-side” of his brain. 

“I came across a music video in 1985…and I was listening to the sound of the drum in this piece of music, and it became clear that there was an engineer behind the creation of that sound,” Novack said. So, off he went to Berklee College of Music for music production and engineering. 

For the next decade, Novack worked in sound mixing for film, but he always knew he wanted to someday produce. The first story that found him was inspired by the history of his great uncle, a famous Jewish liturgical musician in Ukraine. This inspiration would become his first documentary, Songs of Odessa. After producing, Novack said, “I sort of had this two-sided thing again, where I really liked filmmaking and I had been learning the language of film through mixing.” 

Songs of Odessa took Novack to Ukraine, while his next expedition would lead him to the U.S. mid-Atlantic. A pitch that began as a “positive reality show” about researchers (the market, more focused on reality TV like The Bachelor, wasn’t ready), turned into a Human Rights documentary that exposed the dangers of the mountaintop removal in West Virginia and Kentucky: Burning the Future: Coal in America. Novack said, “I found that the nature guy in me, who was very much connected to my father, who was a landscape architect and botanist, said ‘wow, this has landed in my lap for a reason. I am meant to make this film. And I’m going to make this film.’” 

I know that Novack’s career path has been a winding one, but we are learning that following passions often are, so stick with me. These experiences along the road, for Novack, were the catalyst for a strong filmmaking drive and “solidified not only the filmmaking process, but [his interest in] making films that have some connection to human rights…bringing awareness to things that are going on that people don't know about.” 

Another career pivot occurred when Novack became a professor. He has now produced four films, and teaches graduate and undergraduate film and sound studies at a university in Lisbon. “I decided that ….I would teach sound and film so that I could share my knowledge and continue to grow and get to do research in the sound sphere, but with a little more liberty in time.” Novack explained, “there's more freedom of time in academia than there is in industry, for sure.” 

From sound engineer, to producer, to professor, Novack’s career is not a sedentary one. “You know, I feel like these things call to me. People ask what's your next film? I don't really know yet,” Novack said. 

While traveling in China, at the request of the U.S. State Department, to share Burning the Future Coal of America, Novack met Janice Angle Ford, who became his co-producer of All Static & Noise. From the get-go the new film was about human rights, but was not initially about the Uyghurs but more general changes in China. 

During that filming Novack explained, “we learned of what was escalating in Shinjang and the Uyghur region. The more I dug into it, the more I realized it really had to be a film of its own.” He went on to say, “that's how the paths are - not linear, right? Our career paths are often not linear nowadays. They don't need to be linear. I think a linear career path is a thing of my parents' generation.” 

I asked Novack if he was living his dream career. It was a question I was scared to ask because career satisfaction feels deeply personal, and I also worried if the mere concept of living our dreams bordered on being too cliché. In any event, to share our journeys is vulnerable, so I thank Novack, for sharing with us today. This is what he said: 

“I don't feel like I'm living my career dream because I don't think that really exists. I think we can have career dreams. And then when we are in them, if we are thinking people, we're usually thinking about other things that we really want to get done. And it doesn't necessarily mean another career. But even just like my next film… I honestly don't think for me, I don't think it exists [a dream career], because I love to do everything.” 

Based on our conversation, I know that as an audience we can expect more Novack produced films in the future (maybe even fiction?), but for today I would like to end with All Static & Noise. Here is what you should keep in mind before watching: 

In 2017 the Party Secretary gave a speech to communist officials at Xinjiang University, which “painted Uyghur and other ethnic minorities in the Uyghur Region as ‘terrorists,’ guilty of ‘separatism.’” Novack said that “[the official] said that people have to speak the party line, and anything else, anything outside of what it’s permitted to be said, is static and noise and all static and noise has to be eliminated.” In referring to itself as All Static and Noise the film is a revolution; a declaration that, despite the risks, noise will be made. Spreading awareness helps amplify the brave voices that speak out for freedom and safety. With that said, I will keep you posted on when All Static and Noise comes back to Boston! 

Wishing you luck in all your dream-catching endeavors… 

The Somerville Flea Showcases Local Vendors and Businesses

As October comes to a close, Davis Square will have to say goodbye to the Somerville Flea for another season. Located on the corner of Holland Street and Buena Vista Road, the Somerville Flea has been open every Sunday from 10 a.m. to 4 p.m. since August. The vibrant market features live music and welcomes customers and vendors of all ages.

The market is home to a variety of businesses and vendors, each with their own tent and tables. One tent offered all light blue and green furniture, as well as plates, mugs and old books. There are also multiple vendors with posters just waiting to be put up on a dorm room wall.

Helene Matteson, owner of Urban Kitchen Handmade Soap, described the market’s environment.

“It’s a mixture of farmers markets, resellers, vintage and artists,” Matteson said. “Everyone is always very supportive.”

Matteson and her soap brand were momentarily on a hiatus from the flea market, but are back for the season and the foreseeable future. Beginning with handmade soap, her business has expanded to a wide variety of products over time.

“I started with making handmade soap. I started making it for myself and people, and I gave samples and people liked it,” Matteson said. “[It] expanded into soy candles, bath and body products such as natural perfume, lip balm and massage and body oil.”

Matteson elaborated on the sense of community among the vendors at the flea market.

“People that have been here for years know each other,” Matteson said. “I know a lot of vendors because we’re set up next to each other and through the markets I’ve done through the years.”

Matteson also noted what she loves the most about being a vendor at the Somerville Flea.

“I think Somerville really supports its artists, and I think Davis Square has a really good community,” Matteson said.

Carolina and her business Recycled Glass have been coming to the Somerville Flea for 11 years, and over time she has seen the market grow.

“We have more vendors now, at the beginning it was just a few. Now it's more vibrant,” Carolina said. “It has always been a good market for me.”

Carolina has gotten to know some of the Somerville Flea mainstays over the years.

“Now, I know many of the vendors … and many, many of the customers,” Carolina said. “We do have many local people that actually go every Sunday. We get a lot of parents and students that come to visit their children’s school.”

Carolina mentioned the spirit and ambiance of the market as one of the reasons she has returned for so many years.

“This is the most, at the same time professional, but good vibe and laid back market,” Carolina said. “I like the diversity … and there’s always something different. You have to check it every week to see what you find.”

Her table displays a collection of glass jewelry including earrings, bracelets, statement pieces and more delicate necklaces. Like Madison, Carolina started making her products — recycled glass jewelry — for herself.

Recycled Glass' booth is pictured at Somerville Flea Market.

“It was my hobby and then people started asking, ‘can you make this, can you make that,’ and it became a business,” Carolina said.

On the theme of upcycling, Alexandra DiMauro started MayFly, an upcycled fashion business that she sells at flea markets in Boston.

“I started upcycling to combat the fast fashion industry and use second-hand material for all of my pieces, so that I could create something new out of old textiles and garments,” DiMauro said.

DiMauro, who has previously been a vendor at the Fenway Flea and the New England Open Market, is new to the Somerville Flea.

“[The Somerville Flea] is particularly nice because there’s really nice people that run it so they are really attentive to the vendors … which isn’t always the case for every market,” DiMauro said.

The market serves as a way for vendors like DiMauro to make new connections and generate publicity for new businesses.

“I definitely have had certain people come to different markets that I’ve been doing to look for my work, which is pretty cool,” DiMauro said.

Kevin Guicho, who is a collector and owner of Wicked Güicho, has been coming to the Somerville Flea for 10 years. Following in the steps of their mother, who has been collecting for 34 years, Guicho has continued this tradition.  

“I never would have seen myself doing this way back when. It actually started with my mother and my aunts,” Guicho said. “They were in Somerville and they came across the flea during the first season.”

When the Somerville Flea first opened, it became the perfect opportunity for Guicho to start their business and put their collection to good use.

Andrew Wiley, another vendor at the Somerville Flea, is the owner of High Energy Vintage, a storefront that sells vintage clothing, belts and shoes.

“I started this vintage business close to 15 years ago as a booth at the Solo Vintage Market in the South End,” Wiley said. “Then I opened up a storefront in Teele Square about 11 years ago.”

Like Carolina, Wiley has gotten to know the community well via the market.

“I know a lot of people that are coming by. I’ve watched kids grow up,” Wiley said. “The flea is definitely a very community-oriented event.”

The Somerville Flea season will come to an end on Monday. The last market will be Halloween themed, with vendors dressed in costume and handing out candy to market-goers. Make sure to mark your calendars with this special edition!

I Took the One Less Traveled By: An Abortion Provider’s Profiled Journey

The beige brick building is nondescript. Every window has its blinds pulled tightly closed, leaving the impression that the interior is barren. There are no signs, other than a bright yellow address — 111 Harvard Street— no trace of protestors, and zero indication that the building is a reproductive health care facility. Upon my arrival at the clinic to meet Dr. Delli-Bovi, the director and founder of Women’s Health Services (WHS), I was, for a moment, nervous that my Uber driver had dropped me off at the wrong place. But, of course, it dawned on me, unlike the ER, abortion clinics don’t have flashy red signs to announce their presence. 

After my identity was verified, I was buzzed into the building with a warm welcome. Dr. Delli-Bovi was straight out of a procedure and still sporting her blue scrubs. Off the bat, her office provides a window into her life. On the wall hangs her diploma from Harvard University, accompanied by a NARAL certificate, family photos, and paintings; there wasn’t one blank spot. A deranged looking Trump stress ball sits on her dark wooden desk between organized stacks of paper. She sits on a brown leather chair, somehow reclining while simultaneously looking poised and alert. Behind her is an extra desk, this one completely covered by documents.

Dr. Delli-Bovi didn't grow up knowing that she was going to be a doctor; it wasn’t remotely on her radar. She was born in Fairfield County, Connecticut, to an artist father. “My dad was an artist and a sculptor, and so he had a tremendous number of friends who tended to be very liberal, if not socialist, or communist, so the ideas I was exposed to early on were pretty progressive.” She described this exposure to her father’s friends and their varying beliefs as an advantage, as her town was otherwise “fairly conservative.” Following in the footsteps of her father, she majored in visual studies at Harvard with the intention of going to architecture School. 

It wasn’t until her senior year of university, when she was writing a thesis on topographical orientation, that Dr. Delli-Bovi discovered she was in the wrong field. She said, “I really wasn’t very into designing buildings, and I thought about what I could do that would be challenging, satisfying, and socially purposeful.” So, Dr. Delli-Bovi found herself in a slight predicament: she wanted to go to medical school but had taken almost no pre-med classes nor had the grades to apply, which made for a very busy senior year. But, after a year and a half in New York, working at New York Hospital and Rockefeller University, she attended Penn State, a relatively new medical school. 

Like the decision to attend medical school, deciding to be an OB-GYN was not an obvious choice for Dr. Delli-Bovi. She had loved her elective in plastic surgery, assisting in reconstructive face and neck surgery for cancer patients and people born with congenital disabilities, and thought she had found her medical calling. But the commitment to plastic surgery was fleeting, and despite not actually enjoying her experience during her OB-GYN rotation, she realized it best reflected the type of doctor she wanted to be: one that included an ongoing relationship with patients, preventive medicine, and education. 

What happened next in Dr. Delli-Bovi’s journey to becoming the abortion provider she is today, seemed to me, for lack of better words, fate. After medical school, she returned to Boston for her OB-GYN residency in 1976 at the Boston Lying-in Hospital, which today is known as Brigham and Women’s Hospital. The Chief of Obstetrics, Dr. Kenneth Ryan believed that abortion should be a part of the training in OB-GYN program. In fact, according to Delli-Bovi, it was the first program in the country that formally incorporated abortion training. 

For context, this was merely three years after Roe v. Wade was decided, making abortions a constitutional right (for at least a little while), and two years after Dr. Kenneth Edelin, who had been a chief resident at Boston City Hospital, was charged for manslaughter after performing a legal abortion in 1973. During this tumultuous time for abortion access, Delli-Bovi said, “Most of the older doctors that I'd worked with at the Lying-in were tremendously supportive of legal abortion because so much of what they'd seen during their training, and the years after, had been the really horrible consequences of illegal, unsafe abortions.” 

Fresh out of residency, when Dr. Delli-Bovi was a junior partner , in a private practice, she was asked by the senior partner if she was comfortable with the office providing abortion care. Delli-Bovi wholeheartedly supported providing abortion in the office and felt it was an option her patients deserved to have access to. Dr. Delli-Bovi had chosen OB-GYN to meet all the health needs of her patients, and that “included the decision not to have a baby,“ she explained. “Most of them [the patients seeking abortions] were women who had had children, which are most women that have abortions. They wanted access to abortion, and they wanted to be discreet about it.” 

Over time she noticed that fewer and fewer doctors were performing abortions in their offices, so abortion options were increasingly limited to hospitals. From talking to Delli-Bovi, it became clear that there were a multitude of reasons why clinics were preferable to hospital abortions, even in Massachusetts — financial efficiency, in-depth abortion-specific training, and having a staff that was supportive and not resistant to the concept of abortion. 

Delli-Bovi worked in reproductive health care for 16 years in various facilities, including the Crittenton Hastings House, the first fully licensed freestanding clinic to offer abortions in Massachusetts and where Dr. Delli-Bovi was the director before WHS. Nearing the end of her second decade in the field, she came to the conclusion that it was time to set off on her own in 1992. She said, “That's when we started Women's Health Services. We started it with the idea of focusing on the people that weren't getting care.”  

Dr. Delli-Bovi explained that patients with health insurance who lived somewhere where abortion services were legal and available were in a generally good spot, but “if you didn’t have health insurance that covered abortion, if you were underinsured because you had a gigantic deductible, if you didn't have insurance at all, or your employer excluded abortion coverage, then you're out of luck,” she said. 

In 2008, when Massachusetts added strict legal requirements for clinics providing abortion care, Massachusetts clinics, like Delli-Bovi’s, faced overwhelming challenges. The laws dictated that private practices using general anesthesia had to become ambulatory surgery centers (ASC). According to the federal requirements to be an ASC, clinics must meet the following, among other criteria: ASCs must have available transportation to a hospital in addition to a written agreement with the local hospital. The clinic needed an elevator, fancy HVAC systems, piped-in oxygen and suction, and specific space requirements. Complying with ASC laws requirements are extraordinarily expensive.

On top of the new expensive requirements for becoming a licensed ASC, the owner of the building where WHS was located tripled their rent, hoping to push the clinic out and sell the space to the Children’s Hospital. It became apparent that to become an ASC, the clinic would have to move. Dr. Delli-Bovi and her husband set off to find an open location, a mission that would end up taking four years and a lawsuit. 

Delli-Bovi searched for a location for two years, and she said, “A lot of times over that two-year period, we would find a place and research who owned the building. We would contact them, and the minute we told them what we wanted to do, they would be absolutely uninterested in dealing with us.” Finally, they were able to get a lease in Brookline, and Dr. Delli-Bovi and her husband put up half the money, about half of $1.5 million, for the ASC renovations. 

“And so, then there was a fight,” Dr. Delli-Bovi said. A group of residents tried to prevent the WHS from opening. They claimed that the work Dr. Delli-Bovi was doing was great, but that their neighborhood was not the place for it. People lived there; there were playgrounds, schools, and churches, for God’s sake! Their legal right to object to the clinic’s location came down to the number of parking spots. The clinic had 24 parking spots, but calculations required them to have 32 spots, despite the fact they see no more than 15 patients a day. 

“Basically, all hell broke loose. I mean, it was a three-ring circus with a grim reaper showing up and all the anti-abortion people,” she said. A group of neighbors protested on the basis that the clinic and the protests that would ensue in the neighborhood would scar children for life. Dr. Delli-Bovi said, “They were against it, not because they were against what we did, but because they felt that it was going to be terrible for the community. So, our attitude was, if you can't do it here, where can you do it? You know?” 

At the time, Dr. Delli-Bovi, mother of two children, had lived in Brookline for 15 years, around the corner from the Planned Parenthood Clinic. She said, “I lived around, originally, the Planned Parenthood clinic…I had little children growing up, we used to walk past it; there would be a scores of protesters, [and] my kids would ask me why they were there. And I would explain it to them.” To Delli-Bovi, the fact that Brookline is a family neighborhood was irrelevant.  

After a two-year legal battle, WHS opened in February of 2010. Maintaining the clinic is expensive. The challenge that WHS faces today is that they are neither a nonprofit, nor profitable. Dr. Delli-Bovi said, “We pay for everything.” The group of people the clinic set out to serve, people who, without affordable options, aren't able to get any care, pay out-of-pocket at a discounted rate. At a hospital, the out-of-pocket rate for a patient is immensely more than the contracted rate hospitals receive from insurance companies. Patients, who may otherwise have to pay between $3,000 to $12,000 or more at a hospital, can have a procedure for $700 to $3,000 at WHS. “There’s just no comparison,” she said. These are patients who either don't have insurance that covers abortion or have high deductibles to meet before their insurance kicks- in. 

The clinic was operating at around a $450,000 deficit per year. “[For] 70% of the people we take care of, we're being reimbursed at a rate that's lower than our cost of care. Which is why in 2019, we ended up almost closing because we were almost a half a million dollars in debt. I was like, we just can't go on this way. It's all on me; I can't take any more risks,” Delli-Bovi explained. 

At this point, the clinic had two options: close or raise a whole lot of money. With virtually nothing to lose, the clinic did what in the realm of abortion-providing is the unthinkable: they actively sought publicity. They got coverage from Boston television stations, the Boston Globe,and Bloomberg News. They started getting donations from all over the country. People mostly gave small amounts of money, but it added- up quickly. Dr. Delli-Bovi said she would sometimes receive notes along with donations, including one from a woman in her 90’s that said, “I've been fighting for this all my life.” 

The Clinic was able to raise enough money to stay open, but the problem remains that the clinic is operating on an immense annual deficit. So, Dr. Delli-Bovi said, “We've been trying to set up a nonprofit, a fundraising arm that is separate from Women's Health Services PC, that would raise money to help support it and to support the mission of continuing to take care of people whose only option other than hospitals is us.” Additionally, “there’s discrimination within the insurance world,” Dr. Delli-Bovi said. Because the Center provides abortions, many insurances refuse to provide services or offer prohibitively high rates for for general liability insurance, property insurance, or worker’s compensation.  

Allen Bromberger, founding partner of Bromberger Law, is recognized for his work in developing nonprofit and for-profit structures and specifically focuses on the intersection of business and philanthropy. When I spoke to him generally about the abortion clinic’s current situation, he explained that “The biggest issue is whether the clinic will operate as a charity rather than a business. This requires giving up ownership, limits on what people can earn, forgoing political action, and dedicating the assets to charity permanently.” 

Qualifying as a nonprofit has two main steps. First is creating the legal entity, which Bromberger describes as easy. The second step, applying and qualifying for the IRS tax exemption, is “complex and takes months to complete. The cost, if you use a lawyer, is $10,000-25,000,” Bromberger said. 

I didn’t quite understand how insurance companies could legally have different policies for abortion clinics versus other businesses. Bromberger said, “It is legal because they have different and special risks that are taken into account when setting rates. It is about risk, not politics. This is regulated by state law.” 

Despite the many challenges — financial, legal,  and personal —  Dr. Delli-Bovi said, “we're lucky because it is Massachusetts. Because there are groups like Reproductive Equity Now and Planned Parenthood that have worked to do the advocacy work, to eliminate some of the antiquated laws around abortion, and to make changes in the laws.” Collectively, these groups, along with the Massachusetts government, had a role in eliminating the Shackling Law (which prohibits the unsafe practice of shackling female prisoners during prenatal care, childbirth, and abortions), and the Roe Act (a Massachusetts Act to remove obstacles and expand abortion access), getting protections for physicians after Dobbs (the Supreme Court decision that overturned Roe v. Wade) passed, and, most recently, orchestrating the stockpiling of Methopristone. 

 

“This State is incredible…this is one of the only departments of public health in the country that has a family planning department. It's amazing. And so I think, in some ways, we're extraordinarily lucky and feel incredibly well supported. And in some ways, the challenges are just always going to be there,” Delli-Bovi said. 

Despite the challenges still present even in states like Massachusetts, where abortion is legal, WHS, with Delli-Bovi at the helm, has been providing safe care to patients for over 30 years. Patients vary “from patients that have resources, to patients that have no resources, to patients that are coming from all over the country to get services that aren't available where they live, or coming from the surrounding New England states [because the services they need are unavailable in those states]. They are single mothers; they are women with substance abuse problems. There are women that are homeless, there are women that have mental health problems. You name it,” Dr. Delli-Bovi said. 

Delli-Bovi’s observations are mirrored across the U.S. According to the New York Times article “Who Gets Abortions in America” and the data they collected in 2021, the typical abortion patient may already be a mother, is in her late twenties, has attended some college, has a low income, is unmarried, is in her first six weeks of pregnancy, is having her first abortion, and lives in a blue state.  

On the day that I met with her, Dr. Delli-Bovi told me she had just met with a patient who had two autistic children. She said, “She was pregnant again, and she just couldn't have, you know, she couldn't have dealt with another child [knowing that another child would be at high risk for autism].” Over her career, she has seen countless patients, each with a different story to tell, each that had to face and make a difficult decision. One of the first patients Dr. Delli-Bovi saw who required care at the hospitable, was a married thirty-two-year-old woman with two existing children. Dr. Delli-Bovi said, “She started coughing up blood, and she got a workup, and she turned out to have metastatic lung cancer. She wasn't a smoker. She had a very poor prognosis, so she was faced with this terrible decision.” 

Dr. Delli-Bovi said that the patient had to ask herself the following questions: “Do I try to continue this pregnancy, even though there's a very good chance that I'm going to die before the end of the pregnancy? Do I want the risk of needing an emergency delivery of a premature infant?” Choosing to continue the pregnancy would most likely lead to a scenario where her husband was left alone to bring up two children and a premature infant, who may very well have all the problems associated with premature babies. 

Another couple came to the clinic to terminate a pregnancy due to devastating fetal abnormalities and were met by a crowd of protestors outside. The protestors venomously hurled the typical anti-abortion slurs at them. On the second day, the husband brought his video camera and began to record the protestors. Dr. Delli-Bovi remembers him describing their situation, how they had wanted this baby, and saying to the protestors, “I want you to understand how cruel you're being…this is such a hard thing to do, and you're making it harder.” 

Dr. Delli-Bovi emphasized that not all patients who choose abortion have abnormal pregnancies that threaten the life of the fetus or themselves, but “the point is that everybody is looking at their entire situation and deciding what is in their best health interests. That's a decision that only they can make. It shouldn't and can't be made for them,” she said. 

Dr. Delli-Bovi is proud of the care she provides, and she never hides it. She said, “It’s always been a question of whether, outside of your work, you discuss the work that you do. And I've always felt that it's really important to do that, no matter how uncomfortable it might be. And I just put it right out there.” 

When Dr. Delli-Bovi is confronted by someone who exclaims, “Well, I don’t agree with what you are doing,” she responds with, “Well, I totally understand that, and that's your right. But if you could see the infinite range of circumstances that lead someone to make this decision, you might feel differently.” When she told a woman at a hospital fundraiser what she did and was met with the response, “I just don't agree with it [abortion], when it's purely elective,” Dr. Delli-Bovi said, “It's never purely elective, nobody gets pregnant, so they can have an abortion.”  

On Delli-Bovi’s second desk, there is a large gold disk on a small pedestal with the engraving from Robert Frost’s poem, “The Road Not Taken.” 

Two roads diverged in a yellow wood,

And sorry I could not travel both …

I took the one less traveled by, 

And that has made all the difference.

“Does this quote have any particular meaning to you?” I asked. 

“I love it because it’s kind of like I took the one less traveled by,”  Delli-Bovi said.  

Throughout Delli-Bovi’s life, just like anyone else’s, she has encountered the places in the woods where the road diverges: architecture or med school? Plastic surgery or obstetrics and gynecology? Hospital or clinic? Trudge along in silence or speak out? Each little decision, even the choice she made to accept my interview, has brought her down the path she is on and paved the way for others. And the path is not an easy or safe one. Once on a tollbooth on Mass Pike, there was a message calling Dr. Delli-Bovi a baby killer and giving her home address. The work she does to keep the Clinic open and provide care to patients not only puts herself at risk but also places a risk on her entire family.  

Dr. Delli-Bovi finished, “I thought, wow, to me, that exemplifies my choice to do something that was not the road more traveled by. I just realized over the years that I do this because I was trained to do it, because I care about doing it well. And because over the last 50 years, there are fewer and fewer people that are doing it. I want to teach people. I want to make sure that it goes on, to be able to be provided by the next generation and the generation after that.”

Notes from the New York Underground

I enter from the West 86th Street station on Saturday, Feb. 18. I scan through the turnstile using Apple Pay, thinking about how taking the subway felt much more romantic when the only option was a MetroCard, and I make a mental note to buy one for the way back. On the platform, a girl pulls her boyfriend away from the tracks as the train pulls into the station. I push myself into the car. The downtown bound 1-train is packed.

Usually when I take the subway, I keep my eyes glued to my phone (typically playing the New York Times’ game Spelling Bee), or my head tucked safely behind a book, avoiding all eye contact and conversation. I customarily remind myself that it’s vital to keep aware of my surroundings while seeming engrossed in something else. I try to build a world that's impenetrable. Exposure feels unsafe. I never take the first train car, that’s usually pretty empty. There’s nowhere else to run if there's a problem. The first car is a trap. Those are the types of things ingrained in New York teenage girls.

Two people are reading books, a two-year-old is on an iPad with the music blasting out loud — her mother’s on the phone and a man in a brown fur coat and a black and white patterned silk bandana with wire headphones and gold framed sunglasses covering his eyes nonchalantly leans against the doors.

“Stay clear of the closing doors.”

One of the people reading, a girl, talks to her friend, or possibly her sister, about her book. “Her parents are mathematicians … they be flirting with math,” she says. She shows the photographs in the book to her companion as she describes the different characters and their names. A child next to them looks on, and the three look at the book together.

There’s an ad for “Degrees Without Debt,” a “Rolling Bike Party,” “Tap Your Free Fares Away” and “Thierry Mugler at the Brooklyn Museum.”

I leave the 1-train to switch to the D-train at 59th Street.

On the platform, there is a woman selling candy bars: Twix, Milky Ways and Snickers. Her daughter runs around her in circles and swings on the stair railing. Her sparkly pink backpack bounces up and down with her movements.

There’s a man playing the accordion with a brown cowboy hat on. At first, he is encircled by a crowd. When a C-train arrives, the crowd disperses, and only one listener places money (a few dollars) in his trunk.

By the track, there is a woman in bright pink pants and beige stilettos talking to a French family who is visiting. She says, “Je m’appelle Rachel.” These are the only words she offers up in French. She gives the family directions and goes on to tell them she’s an actor. Taking their phone, she types in her TikTok handle. “I’m kind of big on TikTok,” Rachel tells them. The family takes a picture with her.

She has a white headband on, with curly hair poking out of a high bun, like a bunny’s tail sitting on her head. Her tote bag says, “The greatest thing you’ll ever learn is just to love and be loved in return — Moulin Rouge.”

I decide she feels approachable. I tell her I’m a college student writing an article about the subway. She looks down at me from her high-heeled perch with a look of warmth and a hint of condescension.

“Why are you taking the subway today, and where are you from?” I ask.

She tells me she’s from Chicago and in town to see plays; she has already seen “Hadestown” and “Moulin Rouge” (hence the merch) this week and been to a few auditions. She tells me excitedly she had an audition this morning that went really well. She’s taking the subway today to get to the Wolf play at the MCC theater.

I thank her for her time. She is the only person I talk to on my trip to the underground. She is the only one who I felt was approachable. I find it ironic that she is not even from New York.

“A downtown D-train is approaching the platform.”

The D-train smells overwhelmingly like weed and is just as crowded as the 1-train. There’s an entire family of five fast asleep. The baby is asleep in her stroller, with a beaded bracelet over her coat sleeve.

Three girls board the train speaking Japanese. Their enthusiastic conversation is interrupted with English phrases like, “you never know.” One has blue hair.

“Excuse me, stroller coming through.”

A man dressed in all blue — blue vintage cap, puffy blue coat, black sunglasses and Balenciaga sneakers — holds a sleeping child. Impressively, he begins speaking in Japanese to the girl with blue hair. “I travel a lot,” he explains.

I try to sneak a photo of the blue man and the child, but something about taking their picture makes me feel guilty.

There’s a lot of love on the subway. We whizz by a couple kissing on the tracks, and I’ve seen a dozen parents holding their children tight. Between the love there are also many blank stares and eyes glued to screens. At moments, it feels like the underground world could exist outside of time — with people in all sorts of clothing and styles, from all over the world, speaking different languages. Alas, the portable phones bring us back to the present.

And in some cases, there is a little too much ‘love.’ “Adore me, kiss me, surprise me, tease me,” half-naked women with candy covering their nipples exclaim from a lingerie ad plastered on the train wall. After doing some research into the Adore Me lingerie brand I learned that this Valentine’s Day promotion is not their first advertisement faux pas. In 2019, Adore Me released an MLK Day sale with the slogan, “We have a dream … about new lingerie!” Needless to say, people found the ad to be incredibly offensive and some suggested boycotting the brand. According to the article, none of their board members were people of color or women.

Later, on a less populated train, on my way back uptown, I’m tired and keeping my attention on my surroundings is getting harder. A girl in all red with her nails each painted a different color bobs her head to her music while pursing her lips. When she realizes she’s dancing, she stops.

A man yells across the car, “This train is not going uptown!” My heart drops for a moment, Shoot, have I been going the wrong direction this whole time? I think to myself. “My phone says it’s Motown!” the same man exclaims and presses play on his phone. It was all a joke. My nerves settle. He begins to sing “My Girl” and he’s pretty good. The music moves more clearly into my line of vision, and I realize there are two men singing. They hold out hats for money. A man in the back swings to the music, though his face remains serious. A woman sings along at the end.

The train gets crowded again at 34th Street.

“Stay clear of the closing doors.”

A woman on the verge of tears walks through the aisle asking for change. She says, “I’m suffering, and I have no one in my corner.” Most people, who are not already fixated on their phone screens, bring their gaze to the speckled floor. One girl gives her a quarter; the woman is very grateful.

The couple next to me holds hands and talks in Spanish. He stands, and she looks up at him. He kisses her on the head and gets off at the next stop while she stays sitting.

I’m tired and I don’t want to be on the subway anymore. Thirty blocks to go.

A man says, “Oh, I hate the subway.”

Yeah, me too, I think. But only sometimes. I hate that it can be dirty, smelly, delayed and claustrophobically crowded. I hate when someone walks by asking for money, and I feel conflicted about what I can do. And I hate that the city hasn’t done an effective job either.

Even so, I love that I can travel from my quiet apartment to the bustling Lower East Side in under an hour for $2.75. I love that a microcosm of the city exists just a few feet below all the skyscrapers, and while there is a lot of loneliness and hardship, there is also a lot of love. In the words of Dostoevsky’s actual Underground Man, “To love is to suffer and there can be no love otherwise.”

Your Daily Reminder to Drink Water! A Trip to the Utah National Parks


Lying face up on a cot in the one room Zion Canyon Medical Clinic in rural Utah, feverish and apparently severely dehydrated, I contemplated how my travels had led me to this point. My vision was going in and out and it was becoming harder to see the petite older woman, who was the only available doctor closer than an hour from Zion National Park. 36 hours prior to this humbling moment, I had been hiking and canyoneering off cliffs. In the blackness, I thought about the views I’d seen and what I’d learned. Yeah, I thought, this moment here on this cot on what, not to be dramatic, feels like the brink of death, is worth it. 

The Kanab ER. Ava Schoenberg/freelance family photographer

After a quick fainting spell, the doctor called the ER in Kanab, a small town an hour away, to expect a very dehydrated young lady who can’t seem to stand for a duration longer than two minutes without collapsing. “We see stuff like this all the time, don’t worry sweetie. We just can’t perform the necessary blood tests you need at this clinic,” the clinician said. Calling the ER is not typical in non-emergent cases, but in small towns clinics seem to have a level of hospitality and personal touch that I have never found in my hometown of New York City.

The Zion National Park is its own ecosystem, supporting at least 800 species of plants. All of its life — the cacti, water falls, ferns, foxes, wild  flowers, trees, avalanches, deer — exist because of the Virgin River’s power. The river can be seen from the highway and then in full force in the park. In March the river can be at its deepest and coldest as a result of melting snow. Looking down at the river from the trails, I was in awe that something that seemed so harmless and minuscule in comparison to the towering rock mountains was the cause of mass erosion and life-threatening flash floods. Without the river, there is no Zion. 

The Virgin River, Zion National Park. Ava Schoenberg/freelance family photographer 

Maybe it’s always been this way, but in 2023, amidst an industrial and urbanized world on the verge of climatic destruction, stepping onto the grounds of a National Park like Zion and Bryce feels like landing on Mars or paying homage to some sort of Holy Ground. The mountains are a striking orangey-red with streaks of different shades and browns as if someone had painted them. When it rains, little waterfalls come peeking out of nooks and crannies, often creating small pools. You can smell the fresh water, and the air feels cool and damp — a warning to travelers that the climate in the early Spring is a catalyst for Raynaud’s Syndrome. Nature makes itself known; it towers over the hikers, threatening flash floods and avalanches if one isn’t careful. The rushing river and monstrous mountains remind visitors that they are on nature’s turf and are no match for mother earth's whims. It only took two days in high altitude for me to fall. 

As we begin our exit from Zion and approach the tippity top of a mountain, a roadway winds its way towards the apex, and the scenery dramatically changes. At the tippity top of the mountain, where most of the trail heads on this route can be accessed with a car, the scenery dramatically changes. When visiting in mid-March, the pitch black Zion Mount Carmel tunnel brings you from Spring to Winter in under five minutes. Rocks that were at first strikingly red are now covered in snow. There are no cacti anymore, instead pine trees. The terrain resembles stacks of pancakes with a hearty sprinkling of powdered sugar. This was my view on the way to the emergency room; life could be much worse. 

Top of mountain, Zion National Park. Ava Schoenberg/freelance family photographer 

The Kanab Emergency Room was quiet and clean. After checking out my medical situation the doctor said something along the lines of, “Push yourself as much as you would like. Sometimes you end up in a dire situation, and sometimes you don’t. I would hate it if you missed the helicopter ride and Bryce trails.” Never in my life had a doctor advised me to take such risks. Yet, this adventurous mentality was consistent with the majority of locals I met. Our canyoneering tour guide, Matt, seemed to see the world as his playground while treating it with his utmost respect. His typical day consisted of propelling off mountains, fixing the well, and spending the evening with his girlfriend in the hot tub he built from an old giant metal trough. The clinician’s husband lived in Park City because he liked the adrenaline of treating ski injuries. The universe of activities and the risk nature provided was, for all them- the ER doctor, the clinician, and Matt, - simultaneously their work and home.  

Lying now in the emergency room hospital bed, an IV providing me much-needed nutrients, I considered again: would I do this all over? My answer was still, “yes, without a doubt, though next time I’ll drink a couple more sips of water.” We travel to broaden our experiences, to see new things, and in the case of national parks and American Western deserts, to be a part of virtually untouched nature. Any challenges along the way are just part of the journey. 

A few Takeaways and Tips

1.According to Utah medical professionals, against all intuition and general logic, you CANNOT drink water when severely dehydrated. So don’t get dehydrated unless you're a major Gatorade fan and IV junkie. 

2. In Bryce, take a moment to lie in the snow and look at the spectacular view of Hoodoos. Who cares what other hikers think, trust me, you’ll be so hot the cold snow will be a very welcomed cushion. 

    • Recommended attire: Snow pants 

    • Extra activity: roll a snowball down the side of the mountain and watch it run down the incredibly steep drop and get bigger and bigger until you can no longer see it…

Hoodoos, Bryce National Park. Ava Schoenberg/freelance family photographer 

3. If going in the Spring, buy a poncho before they sell out. 

4.If possible, go to the National Parks, or really anything having to do with nature travel (coral reefs, etc.), now because at this rate who knows how long they will be around. 

  • Protect the Earth. 





References: 

Cuthbert, Lori, and Joe Yogerst. “Everything to Know about Zion National Park.” Travel, National Geographic, 10 May 2022, https://www.nationalgeographic.com/travel/national-parks/article/zion-national-park. 

“The Narrows.” National Parks Service, U.S. Department of the Interior, https://www.nps.gov/zion/planyourvisit/thenarrows.htm

The American Dream Infused with Lobster Cream: A Culinary Oasis in the Desert

This March, my family headed West for a long overdue exploration of our country. The trip included three different national parks, two in Utah, and one in Arizona. Nowhere we stayed would be, by any means, considered a national food capital. As we drove my mom incessantly urged, “eat some of the snacks I brought. We are in a food desert.” Each small town, and when I say small I mean anywhere from ten to three blocks where Main Street is hard to distinguish from any other stretch of highway, was equipped with at least three fast food restaurants. I had never seen more Wendy’s in my life. So this is that stereotype of America — fast food in the desert, I thought. For all that, a ten minute walk from Zion, one of Utah’s most extensive national parks and our first stop, sits the Flanigan Inn and their American bistro-style restaurant, the Spotted Dog. 

Like the name might suggest, there is nothing fancy or over the top about the Spotted Dog. Hikers can walk in with their boots and jeans without shame along with tourists wanting to sport their dresses and button-downs. When you walk in there is a pitcher of fruit-infused water and Elton John and Ed Sheeren playing from hidden speakers, which reflects the restaurant's acute attention to detail in a down-to-earth and homey manner. The interior has minimal but tasteful decoration. Tables without tablecloths leave the black granite material exposed and paintings of the park by local artists hang from the otherwise plain walls. Anything more would distract from the mesmerizing view of Zion’s amber mountains that guests can gape at through the windows that line the wall of the restaurant. 

We were promptly seated and introduced to an overwhelmingly hospitable and sweet server, Maureen, who continually checked in on us throughout the evening. The red rocky mountain trout filet, shrimp linguine, and pesto pasta, “are all wonderful choices,” she told us. All dishes at the Spotted Dog are made with fresh ingredients, hormone-free meats, and sustainably harvested fish. The present day chef, Robert Tita, changes the menu according to the season, so the food is always fresh and for the most part, regionally purchased. The Spotted Dog proudly displays a Wine Spectator Award of Excellence from 2022. Maureen explained that while the restaurant boasts about their wine selection, it is one of the only parts of the menu that isn't locally sourced.  

The menu selections were surprisingly sophisticated compared to the modest ambiance. Unfortunately, the brie cheese with orange and cherry chutney, apples, and toasted baguette seemed to have all the ingredients for success but was slightly disappointing. The cheese was not quite gooey enough to spread onto the bread, so what should have been a warm melty bite was chilled and lacked strong flavor.  Luckily, the hummus plate reflected the restaurant's commitment to farm-to-table ingredients and was very flavorful. The hummus was homemade and bursting with a zesty lemony flavor and the accompanying crudités of cucumbers, radish, and peppers were crisp and fresh. The warmly toasted pita added a delectable crunch to each bite.  

Moving on to the entrées, the Rocky Mountain trout filet encrusted with pumpkin seeds was bursting with saltiness and crispness which was complimented by the sweet flavor from the added rice and pomegranate seeds. The plate was balanced and deserving of a highlight title; Maureen, as we would find again, was right. The only detractor from the dish was the squash puree which was sweeter than was needed. The shrimp pasta was absolutely delicious. Soaked in lobster velouté, a creamy white sauce thickened with lobster, and topped with fresh tomatoes, each bite was fresh, but delightfully creamy, ringing true to the restaurant's Italian roots. 

No meal in the American west is complete without dessert, so we ordered the gluten-free chocolate lava cake and créme brulée. The cake, though in high concentration of chocolate, was deliciously rich even though it was lacking the lava. No warm chocolate oozed from the center, despite the promise in the name. The créme brûlée however neared perfection with a strong vanilla bean taste and pristine glassy top of crystalized sugar. We also were all given our own pots of mint tea, a generous touch. 


What is American culture and typical American food? Does it even exist? I would argue that there most definitely isn’t one “culture’ or cuisine that defines the United States. Stereotypically, of course, there’s fast food and McDonalds, the work-all-day-to-live gritty mentality, and a sprinkling of greed, but this does not define most Americans, or their culinary preferences. Yet, the story behind the Spotted Dog and Flanigan Inn reflects two important aspects of American history: movement west and immigration. 

Lena Dratter immigrated from Italy and established the “Zion Rest Motel” (which would later become the Flanigin Resort and Spa) with her husband, John, in the post first world war era. She opened her own kitchen that stayed close to her Italian roots while her husband worked in the mines. Even though decades have passed, and the inn and its restaurant have passed over into other hands, the inn and the restaurant remain family owned and Dratter’s spirit is still felt in the Italian-American cuisine at the Spotted Dog.  The simplicity of the plates and the decor echo the couple's humble beginnings. It makes it even better that the food is lip-smacking good. 


The Sink Baristas: An inside scoop (or more accurately, an espresso shot)


At Tufts, we run on The Sink. Our favorite student-run coffee shop serves the campus caffeine day to night. The Sink space is eclectic from its distinct playlists to its famous special lattes — there’s no wonder why the line fills the Mayer Campus Center. The magic behind both the drinks and the background playlists are the baristas.

The Tufts Daily sat down with three baristas to get the inside scoop on the university’s most coveted job. Veronica Habashy, a first-year, and Nicole Biggi, a sophomore, have both started working at The Sink this year. Luke Pagan Petrosky is a junior and a veteran barista at The Sink with three years of experience under his belt. 

Petrosky shared the connection he builds with the Tufts community through the cups of coffee that he makes.

“It’s really just about making drinks for our peers … and it’s also about giving them a boost in their day, I feel like that’s important,” Petrosky said. “[Also] just letting them know that we see them and we feel their pain sometimes, and we feel their joy too.”

In agreement with Petrosky, Habashy added that she finds the job to be an escape from her hectic daily schedule at Tufts. 

“[The Sink is a] fun place to hang out and … to see people that I know and say ‘hi,’ … and play whatever music I want,” Habashy said. “It’s kind of therapeutic, like a break in the day.”

Habashy also demystified the application process to become a barista at The Sink.

“[The application process] was really scary, because … it is just like a myth, working at The Sink is like a myth [at Tufts],”  Habashy said. “[But] I actually had a lot of fun writing the application because it was making a persona basically. … My favorite part of the application was the question, ‘What are the five songs that you [would play] on aux?’”

Besides the application process, the thought behind the name, “Sink,” has remained a mystery to the Tufts community. The Sink was formerly known as the "Rez," according to Biggi and Petrosky, but the name was changed due to its inappropriate connotation.

Jael Strell, The Sink’s operations manager, explained the context behind the cafe’s name change. 

“Even though The Sink was named for its location in the residential quad (it was originally in the basement of Miller hall in the 80s), we felt uncomfortable keeping the name due to its other connotations. And it just felt especially inappropriate as we had no indigenous students on staff,” Strell, a senior,wrote in a message to the Daily.

Strell further elaborated on how the Campus Center cafe came to be named “The Sink.”

“We had a suggestion bowl where people could submit names, and then we narrowed it down with a vote within the staff, and then I believe that the managers at the time chose the final name or we voted and they had final say. It was between something along the lines of ‘middle ground’ or ‘The Sink’ and ‘The Sink’ won,” Strell wrote.

When asked about their favorite drinks at The Sink, the three baristas gave different answers: the Cinny Vanilly, Lucy and the Chai, Hot Carols and the Bee Sting. Habashy added that The Sink’s baristas can also come up with their own unique drink concoctions and names.

“It’s so fun to work for a completely student-run business. … If we wanted to create a new drink, we probably could,” Habashy said. “I really want to have jam for bagels. I’m trying to make it happen.”

Graphic by Halia Frishman

Next time you're at The Sink, pay close attention to the music because each barista gets to curate their own playlists, according to Habashy. 

“You can always tell who’s on aux when you're sitting,” Habashy said. “If you spend enough time there, you can match the music to the people.”

Through the job, Sink baristas get to know their customers, each other and even prospective parents, explained Petrosky. 

“We always get a lot of parents who come. … They’re very anxious about their child potentially coming to this school, and they ask us all these questions,” Petrosky said. 

Then of course, like any business, there are the regulars. 

“I feel like I know people who are regulars, but they don't know me,” Habashysaid, “I know people’s orders, and I wonder what kind of person they are. Like who is this man, who’s always pacing around on the phone and then coming up to order two or three shots of espresso?”

In explaining the culture of The Sink, Biggi cited the “initiation” tradition to highlight how fun it has been to bond with her new fellow Sink baristas.

“We had muffins that were put around a table, and we had to kneel in a circle and eat them as fast as we could … which was crazy, but it was so fun,” Biggi said.

However, it is not always sunshine and rainbows at The Sink. One problem our baristas often face is supply shortages. Having to inform customers that their order is not in stock can be stressful, Biggi shared.

“When we run out of things, that’s my least favorite part,”  Biggi said. “People are like, ‘Can I have chai,’ and I’m like, ‘No.’ Or, ‘Can I have a latte,’ and [I respond,] ‘Maybe, what type of milk?’”

Echoing Biggi’s sentiment, Habashy shared unique challenges to a student-run cafe. 

“Last week we had an ungodly amount of skim milk, even though probably 20% of people [would] order skim milk, and we threw out eight gallons of skim milk because it all expired,”Habashy said.

At the end of the day, Petrosky, Biggi and Habashy’s love for their work, community and, of course, coffee is unanimous. 

“All I can say is that I’m very thankful to have the coworkers that I do, and I hope that everyone feels welcome and loved coming to The Sink,” Petrosky said.

Biggi reflected on her experience as a barista similarly.

“This kind of goes without saying, but The Sink is such a welcoming and warm environment, and I just love all the people who work there,” she said.

Where Trouble Melts Like Lemon Drops

Dedicated to my wonderful Grandparents Sandy and Irwin Frishman, who inspire me. 


I run across the platform with an overly dramatic superhero soundtrack playing in my head and slip through the closing subway doors just in the nick of time. Out of breath, I scan the car for an open seat next to someone relatively harmless. My options are limited: sit next to the obnoxious woman yelling into her phone or the snoring old man. I choose the latter and take my seat. Startling me, he opens his eyes and inquires, “Like a lemon drop, son?” I generally prefer keeping to myself, and public transportation gives me enough anxiety as it is, so I give the slightest shake of my head towards his direction and make a show of putting in my earbuds. I close my eyes and tilt my head back until it bangs against the metal wall of the subway car. Chris, it’s fine. Ten more stops, and then we will be home. Can you stop freaking out? You’re being dumb, I tell myself for at least the tenth time in the last hour. I turn up my music. 

The train comes to a halt, and I feel a light tap on my shoulder. I open my eyes and see the old man staring up at me. A little red cap sits slanted on top of his white hair, and his big brown eyes look like they are sinking far behind his wire-framed glasses; they don’t look sad, though; actually, I think they are smiling, as much as eyes can smile at least. He looks too happy to be an old person. 

“You hear what stop we at, sonny?” he asks. 

“West 72nd Street,” I reply. 

“Quit mumbling! What was that you said? 56th?”

Speaking as loudly as I can muster without feeling stupid, I repeat, “West 72nd Street.”

“Well, why didn’t you just say so. Where are you, headed? This subway is taking us downtown, right?”

I am deeply embarrassed to be having this conversation. Why won’t it stop? I reluctantly reply, “Yes. Downtown, sir. I am, um, making my way to West 4th Street.”

His eyes smile and he responds, “I have some very fond memories of that neighborhood. Back in the day—” I picked the wrong seat. Shit—“we hung out there every night shooting the breeze, fooling around, and getting into all sorts of trouble. I could tell you some good stories if you were interested, of course?” 

He was looking at me expectantly. If he wanted to “shoot the breeze” or whatever, he chose the wrong guy. I don’t want to be rude though, so I’ll just sit here. You should say something; just sitting here saying nothing is just as rude as ignoring him. It's literally the same exact thing. At least turn yourself in his direction, and if he wants to talk, he will. I turn my head and acknowledge his existence, which earns me a small smile. Did he just roll his eyes at me? 

“Let me start from the beginning, it was way back in 1954. It was a Saturday - I remember - my day off from working in my parent’s candy shop. On summer days, the Russian boys of the Lower East Side met up in Washington Square Park. You know West 4th Street, it was the hot place to be, and maybe it still is; I don’t get out much these days. We were on our way to a protest. It feels like I spent that entire decade protesting for one cause or another. We had a lot of beliefs, a lot of anger, and frustration. We craved the high. We had learned there was nothing sweeter than sticking up your middle finger to authority. We washed our “fuck yous” down with a bottle of stolen beer and left slightly more satisfied than we had arrived. Sonny, you know what happened on May 17, 1954? And tell me your name while you’re at it.” 

“It’s Chris and I don’t remember, sir,” I say. Yes, we are actually talking. That was good. This isn’t so bad. I turn myself a little more in his direction. 

“Do they teach anything to you kids these days—” That seems like a rhetorical question; I don’t need to respond. “I swear my grandson, he’s ten, rambles on for hours about people who live inside the television, but he is otherwise absolutely clueless. I get a feeling you're not like my grandson. Time will tell. Oh, I apologize! You're sitting on the edge of your seat, and your knee is bouncing up and down, up and down. I didn’t mean to leave you on a cliffhanger.” What is he going on about? He has barely begun whatever apparently long-ass story he has insisted on telling.  

“It’s okay.” 

“Where was I?” I think this is also rhetorical. “Well? Don’t leave an old man hanging. Where was I?” Oops. 

“Sorry, you and your friends were going to a protest. May 17, 1954.”

“Oh yes! On the 16th, we were on our way to protest segregated schools. I had barely made it through high school myself.  But let me tell you - you don’t need an expensive degree to know right from wrong. Anyways, the park was packed. An hour or so went by. My arm was getting sore from carrying a picket sign, I was drowsy from drinking, and honestly, I wanted to head home for a nap. As I was leaving, on my way to do just that, I saw a girl. She was soaked from head to toe in what seemed to be water. Her blue skirt clung to her body, her blouse had become slightly translucent, her blonde hair was matted, and she was smiling from ear to ear.” 

The old man is closing his eyes as he speaks. There’s a trace of a smile on his lips, but not one of a blissful nature. He looks somewhat pained. The train comes to another stop. We are at West 4th Street, ironically my stop, but I don’t want to leave. This is a new feeling for me; I usually am desperate to go home, especially in the midst of conversation. 

“We are at 14th street, sir,  my stop,” I suddenly exclaim, surprising myself and the old man. I don’t think he had even noticed the train wasn’t moving. My anxiety about almost missing my stop overrides the strange sensation of wanting to stay with the old man, and I get up from the seat and quickly exit the subway car. As I walk up the stairs, I hear someone call my name.  I stop and turn around to find the old man climbing up after me, one slow step at a time. I’ve stopped in the middle of the staircase. People are bumping into me from every direction; they are probably annoyed with me. You need to move, I don’t like this. I turn my back to the old man and, two steps at a time, I make my way to the corner of 4th street, safe from all the rushing people, to wait for him. It takes him a few minutes, but when he emerges from the underground he is still smiling. 

“Come on then, Chris. I’ll show you where it all went down,” he calls to me. 

“Yeah, okay, if you insist,” I say, mocking my reluctance. “You seemed kind of sad back there. When you were talking about that girl.” 

“Did I?” 

“Yes, sir.”

“Quit calling me sir.” 

“Alright, si— alright.” 

“She was the most beautiful girl I had ever seen, you know. More beautiful than my wife, but keep that to yourself.” 

“So you didn’t marry her then? That’s why you seemed so sad.”

“No, I didn’t marry her. But I wouldn’t have been sad about that. You want a hot dog? I could eat an ox!” 

Without waiting for my reply, he heads farther into the park towards the hot dog stand. We pay for our hot dogs - well, I pay for our hot dogs - and take a seat on a bench. We are facing the arch. It’s a warm sunny day, one of the first of the year, so the park is cluttered with people picnicking, playing music, skating, and tanning. Some are even in bikinis, which I think is a little premature. I feel comfortable watching the people, the newly green-leaved trees, and the fountain from afar. For a moment I forget I’m not completely watching life alone. Right next to me is a stranger, another living being. A stranger I am talking to like I would a friend. 

He points to the fountain and says, “Sandy, the girl I had been talking to you about, looked right back at me and said ‘I went swimming.’ I was no good with girls. Never serious enough; was always joking around too much. I had never really had a reason to get serious. But there she was. Smiling and soaking. And there I was staring back at her, never looking more serious. ‘Get dinner with me;” I stated. She made some excuse about how she was too wet to go anywhere presentable. I told her I didn’t care, it was hot out anyways.” 

“You just asked her to go out with you? Just like that? You have game, old man.” 

“I don’t know what that means.” 

“Never mind. Sorry, I interrupted.” 

“Why are you saying sorry?” 

“Because I should have let you finish. I’m sorry.”

“Stop being ridiculous. This is a conversation, son. You are meant to reply, and then I’ll respond. And then you are free to talk again if you so desire. And here I was just beginning to think you weren’t a lost cause.” 

“Sorry.”

“Good God!” 

He plops the last bite of his hot dog into his mouth with a satisfied grin before continuing the story. 

“After some convincing, she said yes. Is that still what you call a good game?” He asks.   

“Sure.” 

“Good. I took her to my favorite hot dog stand. You know it.” 

“You took her to this hot dog stand? For a date?!” 

“She absolutely loved it. She was an NYU girl with a rich papa. She was used to restaurants where they pulled out your chair and laid a silk napkin on your lap, but she still said the hot dog stand was the best meal she had ever had. We dated for three years after that. I asked her daddy if I could marry her. He said no.” 

“Why did he say no?” 

“Apparently, from birth, she had been betrothed. A family friend’s son. The guy was graduating from Harvard Law. He was going into politics. Her father told me he could be president one day. I think he cared more about the guy’s trust fund though. He told me there was no world in which a boy like me, an immigrant’s son, would marry his daughter, a Manhattan socialite, a girl from old oil money. I felt so embarrassed, so unworthy.”

“He was wrong though. You loved her. And she loved you right?” 

“She was in love with me.”

“So, that makes you better than Mr. Trust Fund.” 

“I thought so too, which was why I proposed to her anyway. And why she said yes.” 

“But she’s not your wife.” 

“I’ll get to that.”

“Okay, sir—Okay.” 

“I heard that,” He said with a smirk. “I proposed to her in the fountain.” 

“What do you mean in the fountain?” 

“I got down on my knee right there in the fountain.” He begins to get up from the bench, struggling for a moment to regain his footing on the pavement. Once he’s stable, he walks towards the fountain, leaving me alone on the bench. I get up to follow him, but before I can catch up - he is walking surprisingly fast - he has two feet planted in the fountain. 

“What are you doing!?” I scream. He gets down on his knees using the edge of the fountain for support. People are staring, and I’m starting to panic. Of course, he is crazy. You should know better than to talk to strangers let alone spend the afternoon with one. We can’t leave. In too deep. Go help him. I run over to the edge of the fountain and give him my hand. 

“This is what I did,” he explains. “Just like this, I got on my knees in the fountain. I asked her to marry me and she said yes!” 

“Do you need help,” I say, still extending my hand? “Come on, please get out.”

“You’re such a buzzkill, you know. It wouldn’t hurt you to have some fun,” he says, swatting my arm away. “Get in with me.” 

“Absolutely not.” 

“Come on. I’ll buy you an ice cream.”

People are still staring at us. A woman walks over to ask if we are okay; the old man happily informs her that we are doing swimmingly. He laughs at his own pun; I kind of want to throw up. When she walks away, apparently content with his response, he asks me to get into the fountain again. Just do it. Who cares, you don’t know these people. You will never see them again. It shouldn’t matter if they think you are a lunatic. Worst case, you get a little wet. But, then mom will ask me why I am wet. What will I say? What if I do know someone here? Someone from school could be here. They will tell everyone I go swimming in fountains with old men. I am so tired of convincing myself in and out and in and out of things. I think that is why I step into the fountain: to tell the voice in my head to go to hell. The old man gives me an encouraging nod, and I lift my back foot from the concrete and into the fountain. I give my hand to the old man again. This time he takes it and gets up from his knees. And then, with a purpose unknown to me, I run straight for the center. The water sprays at me from every direction. It’s in my eyes and my mouth. In seconds, my clothes are soaked through. I am crying; the tears mix with the water. They are happy tears, I realize. I am smiling. I feel free; alone in my head, but not physically alone because the old man is here with me. He’s laughing and watching me. I’m sure everyone is watching me actually, but I don’t care. For the first time, I don’t care. 

We get out of the fountain. He gave me a pat on the back, saying he was proud. I was proud too. I decide he should dry off quickly, I don’t want him to get sick from his damp clothes. We walk to the closest pharmacy in comfortable silence. When we get to the counter to pay for the towels from Duane Reade’s small cheap home section, I grab some Caramel Nips; the old man had started to cough quite a bit and had insisted the caramel lozenges would help. I smile at the girl behind the cash register. I usually don’t smile. I usually have a get in and out as quickly as possible mentality, but today I smile. She smiles back. 

“We went swimming,” I blurt out. 

“I can tell,” she says with a laugh. Her laugh is light and airy. I want to hear her laugh again, but I don’t know what to say next. I am just standing there. Chris, say something, at least pay, so you can leave. I hand her the money for the towels and cough drops. 

“Would you like a lemon drop, dear,” the old man says to her.  Does he not realize how creepy that is? 

“Yeah why not,” she responds. 

He pulls out the lemon drop from a small cloth bag in his pocket. He places it into her palm, and tells her, “It's a family recipe. Now, could you also give my friend here,” he gestures to me, “your number? You won’t regret it.” Oh. my. god. I cannot believe he just did that. OH MY GOD. Someone save me. Kill me now, please. I need to leave. 

“I am sorry about him,” I say in a fluster. “You don’t have to eat that or give me your number. I’m sorry.” 

She unwraps the candy, examines it for a moment, before dropping it into her mouth. I feel a little mesmerized. 

“This is delicious! I would be happy to give him my number. If he wants it, of course,” she tells us. 

I nod before I can convince myself otherwise. 

She gives me her number, writing it out on the lemon drop wrapper and pressing it into my palm along with my receipt. We leave the store; I summon the confidence to look back once more; she’s still smiling. Outside the store, the old man and I go our separate ways. He gives me a firm handshake, and says, “It’s been a true pleasure, my boy.” And with a final pat on my back, he’s gone. I watch him slowly walk away and yell, “Thank you, sir!” before he can turn the corner. 

I wander a few blocks and look down at the crumpled lemon drop wrapper, still in my hand. I quickly dial the number. 

“Hey, it’s Chris. The guy who went swimming.” 

Raise Your Hand if You Want to Go Back to School

A New York Times opinion submission.

I think all Gen Z-ers will remember the moment they learned schools would close for a two-week period. There were people who cheered; they didn’t yet understand the extremity of the situation; they didn’t yet know that two weeks would turn into months, and for many, over a year before they would enter their school building again. 

My New York City private high school reopened its doors towards the end of October 2020. As a junior, I can attend school in person a few days a week. On the first day back, there were six excited students in the classroom with me while the other half was present on Zoom. After the first week, the students per class dropped to three or less. Now, in many of my classes, I am the only student who attends in person. 

The difference between the days I am home and the days I am in school is drastic, to say the least. Sitting in the classroom, face to face with my teachers, and side by side with other students (the few that still show up), makes learning more dynamic and encourages conversation and connection, with minimal distractions. From this experience, I truly appreciate that learning in that ideal setting is both a privilege and a gift. So why are students choosing to stay home? 

Outside of legitimate pandemic-related concerns, for the majority of my fellow private-school classmates, attending school and making the most out of their education took a backseat to their personal convenience. I agree that the perks of at-home school are enticing: periodic naps, attending in pj’s, time for snacking and exercising, sleeping in, and a break from high school social anxieties. 

As much as I hate waking up early, I am not ready to sacrifice my education for another hour of sleep. The hard part is that I didn’t realize the toll online school was taking on both my mental wellbeing and my education until I went back to school. The research is clear, without debate, live school is better.  If online school remains a widespread option, students may opt out of in-person learning before having or taking the opportunity to remember what being an in-person student feels like.  Call me old-fashioned, but I miss when notes were taken with paper and pen, cell phones were locked up in backpacks, science experiments were hands-on, and when reading a book, you actually held a real paperback. The kids of today and future generations deserve an education that is not dominated by a computer screen. They deserve live social interactions with their peers, support from and connections with their teachers, and the chance to navigate a community outside their own family. 


Works Cited

Bellafante, Ginia. “Are We Losing a Generation of Children to Remote Learning?” The New York Times, The New York Times, 6 Nov. 2020.

Academic, Mental and Physical Benefits of in-Person School Outweigh Virus Risks, Pediatrics Group Says.” ABC7 Los Angeles, KABC-TV, 1 July 2020. 

Stern, Evan. “Benefits of in-Person Learning Outweigh the Risks.” The Michigan Daily, 21 Mar. 2021.